Leja Connelly: experimental
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Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

Tuesday, April 6, 2021

Art Deco Avant-Garde

[sfupwwpglw] Download Office Visit JNL Fonts Family From Jeff Levine

[sfupwwpglw] Download Office Visit JNL Fonts Family From Jeff Levine
April 06, 2021 0 Comments
Download Office Visit JNL Fonts Family From Jeff Levine

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Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building.


Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface.


The end result is Office Visit JNL, which is available in both regular and oblique versions.


Download Office Visit JNL Fonts Family From Jeff Levine
Download Office Visit JNL Fonts Family From Jeff Levine



Download Office Visit JNL Fonts Family From Jeff Levine
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Sunday, November 8, 2020

contemporary display

[ugdhamczbd] Download Ballpill Fonts Family From bb-bureau

[ugdhamczbd] Download Ballpill Fonts Family From bb-bureau
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Monday, March 9, 2020

All caps all-caps

Download Poultry Sign Fonts Family From Ingrimayne Type

Download Poultry Sign Fonts Family From Ingrimayne Type
March 09, 2020 0 Comments
Download Poultry Sign Fonts Family From Ingrimayne Type
Download Poultry Sign Fonts Family From Ingrimayne Type Download Poultry Sign Fonts Family From Ingrimayne TypeDownload Poultry Sign Fonts Family From Ingrimayne Type


Download Poultry Sign Fonts Family From Ingrimayne Type


While searching through microfilm of an old, 1932 newspaper, I stumbled on the word "Poultry" written with trapezoidal letters. I did not recall seeing lettering like this and it inspired me to design a typeface that could produce a similar result. 


Poultry Sign has six styles in two widths, each with three weights. It is monoline, monospaced, and all caps. The letters on the lower-case keys reverse the trapezoid of those on the upper-case keys. The designer's expectation is that the most common use for this typeface will alternate upper-case and lower-case keys. The spacing of the letters is identical within each width so the styles can be layered to produce bi-colored or tri-colored letters. There is a second set of numbers that can be accessed with an OpenType stylistic alternative. Also accessible with OpenType stylistic alternatives are variations of letters T, N, L, Y, and lower-case V.



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